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Everyone Loves A Good Horse Race

March 19, 2009 | Drew McManus | Comments 1
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With just over 75 votes at the time this piece is written, Tuesday’s poll asking whether or not an orchestra administration should be expected to provide special compensation to musicians for recording marketing/education/outreach material has produced a 50/50 split with two uncertain votes. Given the level of depth to this issue, it seems reasonable to keep the poll open through this evening so everyone has an opportunity to vote…

checkered flagIf you missed any of the earlier discussions about the value of orchestra recordings in the new economy leading up to this poll, you can get caught up here and here. In the meantime, it will be interesting to see if the poll results continue to generate close results or if either side can gain any momentum.

Should an orchestra administration be expected to provide special compensation to musicians for recording marketing/education/outreach material?

  • Yes (43%)
  • No (54%)
  • I don't know (3%)
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Filed Under: FeaturedPollsRecording

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  1. precedentus says:

    I think it is an interesting question. I think it is obvious that the musicians should get paid for their work. Recording is beyond their usual contractual obligations, so they should get a special fee.

    However, these recordings do not generate much direct revenue for orchestras. So smart musicians’ unions should negotiate fees that will make it possible to make recordings. Recordings add to the overall institutional presence, add to the overall prestige of an institution, and help champion an orchestra or a composer.

    Also, orchestras have to start developing a greater presence on the internet by making recordings available–audio and video– If they don’t, then they will only fall further behind in our culture. Musicians deserve compensation for their work. Institutions need to raise the profiles of their orchestras and their musicians.

    I believe that the questions of special pay or not is a distraction from what the institutions and the players should be focusing on which is: How do we make this happen?

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About the Author: Regularly quoted as an industry expert in international newspapers and trade journals, arts consultant and industry expert Drew McManus has been involved with every aspect of nonprofit performing arts organizations. He has become one of the most unique individuals in this industry who is trusted and respected by administrators, academics, board members, music directors, musicians, and union officials alike.

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