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	<title>Comments on: Damn You Alex Ross!</title>
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	<description>Drew McManus on the orchestra business</description>
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		<title>By: Drew McManus</title>
		<link>http://www.adaptistration.com/2009/11/19/damn-you-alex-ross/comment-page-1/#comment-7313</link>
		<dc:creator>Drew McManus</dc:creator>
		<pubDate>Thu, 19 Nov 2009 15:50:03 +0000</pubDate>
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		<description>Fascinating tip via Old Vic Byron, thank you for that! I&#039;ll check that out and see what sort of system is in place.</description>
		<content:encoded><![CDATA[<p>Fascinating tip via Old Vic Byron, thank you for that! I&#8217;ll check that out and see what sort of system is in place.</p>
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		<title>By: Byron Harrison</title>
		<link>http://www.adaptistration.com/2009/11/19/damn-you-alex-ross/comment-page-1/#comment-7312</link>
		<dc:creator>Byron Harrison</dc:creator>
		<pubDate>Thu, 19 Nov 2009 15:41:35 +0000</pubDate>
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		<description>Love this idea, Drew.
On Tuesday I saw Inherit the Wind with Kevin Spacey at the Old Vic in London.  Their online ticket reservation page (powered by Ambassador Tickets) has a kind of built-in seat guru--full disclosure on column locations, potential of need to lean toward the balcony rail to see the action, etc.  It keeps their ticket holders&#039; expectations managed effectively, I&#039;m sure.</description>
		<content:encoded><![CDATA[<p>Love this idea, Drew.<br />
On Tuesday I saw Inherit the Wind with Kevin Spacey at the Old Vic in London.  Their online ticket reservation page (powered by Ambassador Tickets) has a kind of built-in seat guru&#8211;full disclosure on column locations, potential of need to lean toward the balcony rail to see the action, etc.  It keeps their ticket holders&#8217; expectations managed effectively, I&#8217;m sure.</p>
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