Christopher Blair – full time acoustician, part-time conductor, last time blogger. We come to Friday and the end of Drew’s absence from these pages. I have really enjoyed my time here (Thanks, Drew for providing this forum!) and look forward to possible future exchanges. This being my last day, I thought I’d try something different [...]
Archive | August, 2009

Orchestral Acoustics 101: Beware the Seductive Model
Christopher Blair - full time acoustician, part-time conductor, 4th time blogger. Before anyone gets excited, I am talking about acoustical models here (sigh), but even these can produce dangerous results.

Orchestral Acoustics 101: Avery Fisher Hall
What went wrong, and how to fix it Christopher Blair - full time acoustician, part-time conductor, 3rd time blogger. “For me the evening can’t end soon enough. I head back to my hotel with a splitting headache triggered by the blare of the orchestra and that spot in the Mahler where a percussionist strikes a [...]

Orchestral Acoustics 101: Vineyard vs. Shoebox
Are visual intimacy and sonic-envelopment mutually exclusive? Christopher Blair - full time acoustician, part-time conductor, 2nd time blogger. Following up on our previous discussion of acoustic conditions for orchestral players, comes a discussion of the two most popular ways of arraying the audience for concerts, along with the acoustical and visual advantages and disadvantages typically [...]

Orchestral Acoustics 101: Hearing Troubles?
Christopher Blair - full time acoustician, part-time conductor, 1st time blogger. First of all, I need to thank Drew for this temporary opportunity to use his blog while he’s away on vacation this week. If I had to come up with something to share every day as he does, I fear that I would not [...]
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