Tag Archives | National Symphony Orchestra
Pushing The Sky Up In Boston

Pushing The Sky Up In Boston

The Boston Symphony Orchestra (BSO) recently wrapped up a new three year collective bargaining agreement (CBA) that flies in the face of the Chicken Little Think Tank sky is falling doctrine. Normally, we wouldn’t spend time looking at what amounts to a typical contract with standard improvements but given the recent concessionary agreement in Philadelphia, [...]

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Is Philly Still Competitive? Let’s Examine Some Numbers

Among the largest budget orchestras, one of the most competitive issues is the ability to attract and retain the very best talent and perhaps unsurprisingly, one of the primary components in that equation is base wages. So I thought it would be helpful to take a look at what sort of impact the recent Philadelphia [...]

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2010 Orchestra Website Review: Best & Worst Of

Wrapping up the US reviews for 2010 is the Best & Worst from this year’s review. The Best recognizes orchestras that made particularly large advancements in certain categories while the Worst examines organizations that could benefit from improving particularly damaging components and/or practices…

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So No Hard Feelings Then?

When will folks learn that just because you give an interview in a non-English media outlet that doesn’t mean word won’t get back to the U.S.? The latest transgression instance comes from conductor Christoph Eschenbach who told Die Welt (English translation via Google) that he thinks the Philadelphia Orchestra management during his time there as [...]

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Initial Details Of The Cleveland Settlement

Although comprehensive details in the form of the final agreement language won’t be available for a few weeks or more, some aspects of the new agreement have been made public. Based on information included in a press statement, here’s what can be discerned: Length: 9/2009 (retroactive) – 8/2011; or the 2009/10, 2010/11, and 2011/12 seasons. [...]

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Orchestral Acoustics 102: Orchestra vs. Hall

In a recent blog post, Washington Post music critic, Ann Midgette, posed questions concerning: what influence a hall’s acoustic response has on orchestral performance technique, and what effect the 1997 renovation of the Kennedy Center Concert Hall had in improving acoustics onstage and in the audience. In response to the first, I can report conclusively [...]

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