All Entries in the "Artistic Administration" Category
When Is The Philadelphia Orchestra Not The Philadelphia Orchestra?
Most folks have likely noticed the news about the Philadelphia Orchestra musicians accepting pay and hiring freezes for most positions along with some hefty pension concessions. The Philadelphia Inquirer’s Peter Dobrin reports on those concessions in an article from 2/27/2010. In and of itself, there’s nothing remarkable here; the Philadelphia players are mirroring what their colleagues elsewhere are doing by accepting concessions that help reduce immediate financial pressure. What is of interest is this nugget buried at the bottom of the article… (more…)
When Did “Older” And “Exciting” Become Mutually Exclusive?
Since publishing yesterday’s post about the Boston Globe article examining the New Hampshire Music Festival’s abandoned plans to revamp the festival’s artistic structure, the Globe article has been attracting some fascinating comments. One theme throughout those comments is the notion that younger musicians equal exciting performances. Some comments replying to that sentiment supported the notion that musicians get lazy, sloppy, and lackluster with age and subsequent complaints from these musicians are attempts to conceal professional failings. All of this is related to one of the more contentious, yet unspoken, aspects of this business that by its nature, tenure promotes indolence… (more…)
Yep, Process Still Matters
All things being equal, something like this might have slipped by under the radar but thanks to the Boston Globe’s Geoff Edgers, events at the New Hampshire Music Festival (NHMF) have taken center stage. According to Edgers’ article from the 1/11/2010 edition, the NHMF’s board and administrative leadership attempted to implement sweeping changes that were the result of re-conceptualizing the artistic model… (more…)
Aim Product Away From Face
In response to an article from 12/22/2009, a healthy comment exchange ensued about whether or not term “product” is appropriate to use in the context of describing live, performing art. I think the topic is important enough that it deserves its own article and I’m curious to know more about what readers think on this issue… (more…)
Fun With Food Metaphors
Holly Mulcahy posted an intriguing piece earlier this week about the perils of program substitutions entitled Sorry, we’re fresh out of Mahler. The piece does an excellent job at expanding on some of the points covered in an article here from 9/3/2009 and one aspect I enjoyed most about Mulchay’s article is how it uses culinary metaphors. As an added bonus, there is a terrific comment thread that produces entirely useful considerations and straightforward solutions for any artistic administration department wrestling with issues related to budget shortfalls and programming changes… (more…)
Indianapolis’ Forces Of Attraction
I had an intriguing conversation with a colleague over the weekend about the ongoing situation at the Indianapolis Symphony Orchestra (ISO) regarding the pros and cons of attracting a new music director. In particular, we were talking about the article by Kathleen McLaughlin in the 8/15/09 edition of the Indiana Business Journal. The article’s tag line purports “Symphony likely to have abundance of candidates” and it was that point that fueled our discussion. In particular, we were wondering whether or not an abundance of candidates means the right candidate will come knocking… (more…)
A Solution In Search Of A Problem At Indianapolis
Over the past few weeks, much has been written about the Indianapolis Symphony Orchestra’s (ISO) decision to not renew Music Director Mario Venzago’s contract after August 31, 2009. Although the sensitive phrase “not renew” was how the ISO described the decision, others across traditional and new media platforms have described it in less genteel language such as ouster, terminated, and fired. Although there has been much wailing and gnashing of teeth over the decision through the Indianapolis community and abroad regarding motives and process (some of which will likely come to the surface over the next few weeks), here are some facts you can use to begin drawing your own conclusions… (more…)
A Guide For Programming In The “New Economy”
Between reader suggestions following last week’s orchestra management Venn diagram and all the reactionary discussion about the “New Economy” throughout the business, I put together another Venn diagram illustrating the decision making process behind bean-counting programming. In a nutshell, if you’re an orchestra manager and this diagram strikes you as a useful tool, it might be time for a sabbatical (or to consider a new vocation)… (more…)
It’s About Bloody Time
Unless your internet service has been down over the past 24 hours, you’ve probably read the piece in the 7/8/2009 edition of the Times Online (UK) by Richard Morrison that reports on a patron suing a The Wizard of Oz production for failing to use live music. In essence, the patron turned plaintiff was miffed over the fact that the production was billed as a “magical family musical” but failed to mention that the singers were performing to a recorded instrumental soundtrack. Although these events have transpired across the Atlantic, US ballet and opera companies should take heed… (more…)
Gambling On The Lowest Common Denominator?
According to an opinon post on 6/19/2009 by Perry Tannenbaum at Charlotte’s Creative Loafing Arts and Entertainment blog, that seems to be exactly what is being suggested with regard to the Charlotte Symphony Orchestra’s (CSO) decision to appoint Christopher Warren-Green as their new music director… (more…)
A Question Of Live Music
Amidst all of the recent news about smaller budget opera and ballet organizations cutting back and cancelling operations, I decided to find out what groups in the Chicago-Milwaukee-Madison triangle are planning to do for next season. The responses were intriguing… (more…)
Help Wanted: Conductor Yes Man
Recently, conductor Bill Eddins commented on the decision by the Columbus Symphony Orchestra (CSO) to dismiss music director, Junichi Hirokami for what he described as ‘[looking] around, saw a bad situation, and spoke out on behalf of the organization and, most importantly, the welfare of his musicians. The response: ‘Sayonara, Junichi!’” Bill couldn’t be more correct in his analysis and I wanted to examine this situation from another perspective… (more…)
Drew McManus wrote:
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Adaptistration is authored by orchestra consultant Drew McManus and since its launch in 2003, the blog has become standard reading for arts administrators and arts administration programs throughout the world.
