All Entries in the "Recording" Category
Recording Compensation Poll Results
On 3/19/2009, readers were asked to answer the question “Should an orchestra administration be expected to provide special compensation to musicians for recording marketing/education/outreach material?” At just over 200 responses the results don’t provide a clear majority opinion but they do provide additional insight into this topic… (more…)
Everyone Loves A Good Horse Race
With just over 75 votes at the time this piece is written, Tuesday’s poll asking whether or not an orchestra administration should be expected to provide special compensation to musicians for recording marketing/education/outreach material has produced a 50/50 split with two uncertain votes. Given the level of depth to this issue, it seems reasonable to keep the poll open through this evening so everyone has an opportunity to vote… (more…)
Value Of Recording Poll Results
The 132 responses to the Value of Orchestra Recordings poll from 3/10/2009 produced some intriguing results, my sincere thanks to all who took the time to vote and/or submit a comment. Although far from conclusive, the responses demonstrate that most respondents tend to feel orchestra recordings have the most potential as a less than substantial revenue stream… (more…)
Is There Value In Recordings?
The Oregonian’s classical music critic, David Stabler, posted a fascinating rant on 3/5/2009 about orchestras, musicians, and recording rules. As it turns out, David’s post inspired some readers to send in some intriguing email messages about that blog post which grew into an interesting exchange about the value of orchestra recordings in the new economy (or if you watch CNN, what appears to be the fall of capitalism). Back in July, 2008 I posted an article which touches on this very subject but never really followed up on it as I should have… (more…)
Using The “R” Word in Milwaukee
“R” for recording that is. The Milwaukee Symphony Orchestra has become one of a handful of orchestras across the country to kick a new digital recording distribution initiative into high gear. How did they manage to do what no other orchestras have done so far…





















