Burn, Baby, Burn.

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After watching Sen. Tom Coburn (R-Okla.) – a politician so evil even his own lawyer wants nothing to do with him – lead the charge to eviscerate the .0000588 percent of the economic stimulus package directed toward the arts, I can’t help but think of a passage from John Schaefer’s 1/15/2009 blog post:

At times like this, I think of the famous anecdote of Winston Churchill, at the height of the Blitz…being confronted by politicians who wanted him to throw all the resources normally devoted to the theater and the arts to the war effort instead. “Good God,” he replied; “then what are we fighting for?”

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Post Inauguration Cultural Confidence Levels

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As we slide past the second full week of the new administration and observe boisterous debate about economic recovery plans every day, the overall impact of these events have had mixed effects on cultural confidence levels. On one hand, respondents feel better about current economic conditions (although the prevailing sentiment is “negative”) but the outlook toward economic conditions at the end of the season remained firmly pessimistic…

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Madison’s Red Herring Special

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When considering historical reasons behind work stoppages in the orchestra business, what comes to mind are intense disagreements on financial compensation and/or work rules, impending financial impasse, entrenched positions among stakeholders, attempts to implement sizeable budget cuts, etc. After the Wisconsin Chamber Orchestra (WCO) announced they were cancelling their 2/27/2009 Masterworks concert due to what the organization defined as the musicians rejecting their latest contract offer, it seemed the two sides must have these sorts of disagreements. However, the reality may be very different…

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Self Inflicted Wounds

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Holly Mulcahy published the last installment in her series of articles which examines how each group of orchestral stakeholders can manage to alienate current and potential concertgoers. Having already covered music directors, musicians, and managers, the final article takes a satirical look at how audience members manage to alienate each other. I’m sure any long time concertgoers will recognize more than a few of the offenses listed or may even be guilty of one or more (I’m guilty of #10 and resolve to be better).

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Following Up On Access And Affordability

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Never one to avoid putting his money where his mouth is, Alex Ross posted a follow-up article to his “Cheap Seats” post which highlights some affordable concert offerings in the New York City area as well as throughout the US and UK. Alex also takes a moment to point out the benefit of having centralized concert listings which include affordable options. In a different outlook on this topic, Marc Geelhoed posted an article at Deceptively Simple expressing his dismay over a lack of effort on behalf of those searching for affordable concert events…

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